| 1 |
Lotus-Crown Rail (പദ്മമുടി തലയമ്പ് · Padmamudi Thalayamb) |
തലയമ്പ് Thalayamb |
A single slab of teak chiselled into a gentle crest—like a temple gable—that steadies the back and adds a ceremonial “headgear” to the chair. Rest cushions here for high-back comfort during long chats. |
| 2 |
Sthambh-Spindle Garland (സ്തംഭ മാല · Sthambha Māla) |
കോളുകൾ Kolukal |
Eleven turned mini-pillars echoing shrine balustrades. Their open spacing lets breeze flow while giving lumbar support; wipe with a soft cloth to keep the rhythm of light and shadow alive. |
| 3 |
Vyali-Splat Shield (വ്യാലി തട്ടു · Vyāli Thattu) |
മധ്യഫലം Madhya-phalam |
The hour-glass centre plank, reminiscent of mythical Vyali motifs, braces the two spindle tiers—no squeaks even after generations of storytelling. |
| 4 |
Anjali Arm-Arc (അഞ്ജലി ഭുജവിരാമം · Anjali Bhujavirāmam) |
കൈവിരാമം Kai-virāmam |
Broad, flowing arms shaped like welcoming palms. Their upward flare lets you rest books or teacups safely; oil monthly to keep the satin feel. |
| 5 |
Kumbha Side-Spindle Fence (കുംഭ ക്യാനൽ · Kumbha Kannal) |
വശക്കോളുകൾ Vasha-kolukal |
Six balusters beneath each arm echo pot-neck temple columns (kumbha). They guard little fingers and add lateral strength; ideal for corridor corners where kids play. |
| 6 |
Padma-Seat Deck (പദ്മ ഇരിപ്പിടം · Padma Irippidam) |
ഇരിപ്പു പാളക് Irippu Palaka |
A single, kiln-dried board with a subtle lotus-bloom curve that guides the sitter to the centre. Pair with a thin cotton gaddi for festival gatherings. |
| 7 |
Simha Front Pillar-Legs (സിംഹസ്തംഭ മുൻ കാൽ · Simha-sthambha Mun Kāl) |
മുൻകാല് Mun-kāl |
Double-bulb turnings suggest lion-columns; brass-tipped feet resist floor damp and lend a noble stance. |
| 8 |
Mayura Splayed Rear-Legs (മയൂര പിറകുകാൽ · Mayūra Piraku Kāl) |
പിന്കാല് Pin-kāl |
Gracefully curved like a peacock feather, these legs counter-balance the tall back—no wobble even on uneven terracotta. |