Rangmach Vanity

/
/
Rangmach Vanity

Rangmach Vanity

The Jewelled Alcove

Stained glass and teak — two materials that have anchored Indian craft for centuries, find their most considered expression here. The composition is built on symmetry: paired pendant lights, a centred mirror, a grounded console below. The joinery between glass pane and teak frame is precise, almost meditative, each intersection a quiet testament to the craftsman’s patience. Colour, wood, and light are balanced with the deliberateness of a painting, warm amber walls yielding to jewel-toned glass, dark teak holding it all in place. The result is not designed so much as it is composed.

The Mirror of Memory- Aaina-e-Rooh
Framed in deep-toned carved teak, the mirror rises with quiet authority — its arched crown adorned with a traditional motif that nods to Mughal-era woodwork. Neither ornate nor plain, it occupies the wall like a portrait of restraint, reflecting the room’s warmth back in amber and brass.

Category

Description

The Artisan’s Counter – Karigar ki Mez
Below the marble countertop, the vanity cabinet stands on turned wooden legs — each column carved with the confidence of old craftsmanship. The dark wood is rich with age-like depth, its facade carrying subtle relief work that speaks of hands, not machines. The integrated sink sits flush in pale stone, clean against the elaborate surround — a deliberate contrast of simplicity and splendour.

The Glass Garden – Sheesh Baagh
The backdrop is nothing short of theatrical. A grid of stained glass panels — cobalt blue, forest green, amber, and teal — divided by dark wooden muntins, commands the entire wall. The panes glow as though lit from behind, casting jewelled shadows across the space. The pattern draws from the tradition of Indo-colonial fanlights and heritage window screens, transforming a functional wall into a work of devotional craft.

Lanterns of the Old World – Roshni ka Riwaz
Two globe pendant lights — milky white glass cradled in antique brass fittings — hang symmetrically on either side of the mirror like ceremonial lanterns. Their warm, diffused glow softens the room without diminishing its drama. A small table lamp on the counter adds an intimate, lived-in warmth, grounding the grandeur with something almost domestic.

More Products

Established in 1979, we carry a legacy that we proudly unfold in front of you. Here tradition blends with creation, art blends with heritage, and finally, a whole new story is carved out in pure wood exclusively for you. 

Shopping Cart0

Cart

Shopping Cart0

Cart

Description

The Artisan’s Counter – Karigar ki Mez
Below the marble countertop, the vanity cabinet stands on turned wooden legs — each column carved with the confidence of old craftsmanship. The dark wood is rich with age-like depth, its facade carrying subtle relief work that speaks of hands, not machines. The integrated sink sits flush in pale stone, clean against the elaborate surround — a deliberate contrast of simplicity and splendour.

The Glass Garden – Sheesh Baagh
The backdrop is nothing short of theatrical. A grid of stained glass panels — cobalt blue, forest green, amber, and teal — divided by dark wooden muntins, commands the entire wall. The panes glow as though lit from behind, casting jewelled shadows across the space. The pattern draws from the tradition of Indo-colonial fanlights and heritage window screens, transforming a functional wall into a work of devotional craft.

Lanterns of the Old World – Roshni ka Riwaz
Two globe pendant lights — milky white glass cradled in antique brass fittings — hang symmetrically on either side of the mirror like ceremonial lanterns. Their warm, diffused glow softens the room without diminishing its drama. A small table lamp on the counter adds an intimate, lived-in warmth, grounding the grandeur with something almost domestic.